Among all my photography experiences in Kerala, one of the most unique and visually rich experiences was photographing Kathakali and Kalaripayattu in Fort Kochi. Kerala is widely known for its backwaters and wildlife, but its cultural and martial art traditions are equally fascinating for photographers and storytellers.
Fort Kochi especially offers a beautiful blend of history, tourism, and traditional art forms. During my visit, I attended a live Kathakali performance followed by a Kalaripayattu demonstration, and both experiences gave me an opportunity to photograph expressions, movement, costumes, and traditions in a very cinematic environment.
One thing I really appreciated was that the organizers provided the audience with a pamphlet explaining the story that would be performed that day. The performance I attended was Nalacharithram – First Day.
Nalacharithram is one of the most celebrated Kathakali stories and is performed over four parts across four days. The section I witnessed focused on the love story between King Nala and Damayanti and how they first came to know about each other.
The story beautifully portrayed how King Nala convinced a golden swan among a flock of ordinary swans to carry his message of love to Damayanti, and how Damayanti eventually reciprocated those feelings. Watching this unfold through expressions and gestures rather than spoken dialogue was an entirely different experience for me as a photographer.
The Golden swan
King Nala
Golden Swan Passing On the Kings Message to Damayanti
One of the highlights of the evening was witnessing the preparation process before the performance began. Kathakali artists spend hours applying elaborate makeup and dressing in traditional costumes.
As a photographer, this backstage preparation itself felt like a documentary project. The artists carefully applied vibrant colors using natural ingredients rather than synthetic materials. Every color and design has symbolic meaning in Kathakali, representing emotions, personalities, and character types.
The detailing was extraordinary. Watching the transformation from ordinary performers into larger-than-life mythological characters was fascinating to document through photographs.
The Kathakali Performer And His Team Member
Team Member Helping Put Colours in Aeras Where The Kathakali Artist Cant Put the Colours Himself
The Kathakali Artist Putting On Makeup on his Own
Artist PuttingThe Colour While Holding the Mirror & Color Plate
The Narrator Showcasing the Colors and How Castor Oil is Used As A Base
Before the actual story performance began, the artists demonstrated the various facial expressions used in Kathakali. They explained how emotions such as anger, happiness, sadness, fear, surprise, and awe are conveyed purely through facial movements and eye control.
Kathakali is deeply rooted in the concept of the Navarasas — the nine emotional expressions in Indian classical art traditions. From a photography perspective, this became one of the most rewarding parts of the experience because every frame carried intense emotion.
The controlled eye movements, dramatic hand gestures, and vibrant costumes made every shot visually powerful.
1 of the Nine Expressions
2nd Expression - Anger
3rd Expression
After the Kathakali performance, there was a live demonstration of Kalaripayattu, the ancient martial art form of Kerala.
Students from a local Kalari academy performed a series of combat demonstrations using traditional weapons and hand-to-hand combat techniques. The performance included swords, sticks, shields, and the flexible weapon known as the Urumi.
Photographing Kalaripayattu was significantly more challenging than Kathakali because the movements were extremely fast and aggressive. I had to increase my shutter speed to freeze the action, and because the lighting conditions were relatively low, it became difficult to maintain ideal exposure settings.
Even then, I managed to capture some good action shots showing the intensity and discipline involved in the martial art form.
Traditional Kalaripayitu Performance in Cochin
One major challenge during both Kathakali and Kalaripayattu photography was lighting.
Kathakali performances generally had stable stage lighting, which made portrait-style images easier to capture. However, Kalaripayattu involved rapid movement under inconsistent lighting conditions, forcing me to constantly adjust shutter speed, ISO, and focus tracking.
This experience helped me improve my understanding of low-light action photography — something that later also helped me during indoor sports and cultural event coverage.
While the Fort Kochi performance was beautifully organized for visitors and tourists, I would still love to photograph Kalaripayattu in a more traditional environment someday.
Historically, Kalaripayattu was practiced in temple grounds, forest regions, and traditional Kalari training spaces. I believe photographing the martial art form in such authentic surroundings would create a completely different visual storytelling experience.
Similarly, there are multiple forms of Kathakali performances. Some are slower and deeply expressive, while others are much more aggressive and fast-paced. Over time, certain styles evolved to better match modern audience attention spans.
I hope to someday witness and photograph those more intense traditional performances as well.
Fort Kochi is not just a tourist destination — it is a place where Kerala’s traditional arts continue to survive and evolve. For photographers interested in culture, storytelling, portrait photography, or documentary work, it offers a very rewarding experience.
Between the vibrant Kathakali makeup, emotional storytelling, martial arts performances, and historical surroundings, Fort Kochi provides countless opportunities for creative photography.
For me, this experience was not just about taking pictures. It was about understanding the effort, discipline, and heritage behind two of Kerala’s most iconic art forms.