In 2022, during my early learning days as a photographer, I walked into Guru Hanuman Akhada with my Nikon D3500 and two basic lenses — the 18–55mm kit lens and the 70–300mm kit lens. At that point, I was still exploring sports photography seriously, trying to understand action, light, and storytelling.
One day, I gathered the courage to speak to the head coach, Praveen Pahelwan, and requested permission to photograph their training sessions. He was more than welcoming. Not only did he allow me to document the wrestlers’ routine, but he also personally introduced me to the players and explained the discipline and structure of their daily schedule.
This experience became one of my very first real sports photography assignments — and a very important one.
Guru Hanuman Akhada is one of the oldest and most respected wrestling akhadas in India. Over the years, it has produced some of the finest wrestlers who have represented India internationally and won prestigious awards. The akhada’s legacy has even been showcased on national platforms like MTV.
When you step into the akhada, you don’t just see athletes training — you see tradition, discipline, and raw determination.
One of the first things that struck me was that training doesn’t begin with wrestling. It begins with preparation.
The wrestlers themselves even out the mud pit before practice. It’s part of their discipline — maintaining the very ground they train on.
Below is an image of one of the players evening out the ground before training begins.
(Image Below - Players Preparing the Mud Pit)
That moment itself told a story. Wrestling here is not just a sport; it’s a lifestyle.
The session began with intense warm-ups — push-ups, conditioning drills, and strength-building exercises. The movements were repetitive, powerful, and rhythmic.
Photographing this phase helped me understand timing in sports photography. Wrestling training is fast but controlled. You have to anticipate the movement, not just react.
Below are images from the warm-up and conditioning phase.
(Image below – Push-ups & Strength Training)
After the warm-up came individual grappling sessions. This was where the energy shifted. The wrestlers paired up and began practicing holds, throws, and counters.
Capturing grappling taught me how unpredictable wrestling can be. You can’t rely on burst mode alone — you have to read body language.
I also had the opportunity to meet Johnty Gujar, a renowned Indian wrestler who has represented India internationally and won multiple awards. Photographing him during training was a special moment for me, especially as someone still learning the craft.
Below is an image of Johnty Gujar during training.
(Image below – Johnty Gujar Portrait)
Most of the outdoor mud-pit sessions were manageable in natural light. However, inside the rubber-mat indoor court, I faced one of my earliest technical challenges.
The light was low and uneven. Shooting with my Nikon D3500 and kit lenses meant I was limited to narrower apertures. That’s when I realized how important a wider aperture lens is for indoor sports photography.
I pushed my ISO higher than I was comfortable with at that time, and the results clearly showed noise and softness.
Below is an image from the indoor court that reflects the technical challenges I faced.
(Image Below– Indoor Training Low Light Shot - I couldn't nail any images inside the court - a valuable lesson learnt early)
This was one of my earliest lessons:
If you want to shoot indoor sports professionally, invest in wide aperture lenses. If budget is a concern or if you are just starting try prime lenses. Outside, the difference wasn’t as visible. Inside, it was obvious.
After intense grappling, the wrestlers moved into their cool-down routine. One of the most unique aspects of akhada training is how the wrestlers embrace the mud — rubbing it over their bodies as part of recovery.
(Image Below – Cool Down & Feedback Sessions)
One of the most memorable parts of my visit was the traditional energy drink prepared at the akhada. Almonds are crushed into a pulp and filtered through a muslin cloth to create a rich, natural drink for the wrestlers.
I had gone there prepared — I brought half a kilogram of almonds as a small gift, knowing about this tradition. It was my way of respecting the space and the culture.
Praveen Pahelwan not only accepted it warmly but also offered me snacks and a glass of the same almond drink.
That gesture made me feel less like an outsider with a camera, and more like someone who was welcome.
Looking back, this 2022 shoot at Guru Hanuman Akhada shaped my approach to sports photography in many ways:
Anticipate action instead of reacting to it
Understand lighting before you start shooting
Respect the culture before capturing it
Build relationships, not just a portfolio
Invest in the right gear when you identify limitations
It wasn’t a perfect shoot technically. But it was an honest one. And sometimes that matters more.
This experience marked the beginning of my journey into wrestling photography and deeper sports storytelling in India. What started as curiosity with a Nikon D3500 and kit lenses became a serious learning curve in action photography.
More tournaments and sports assignments followed after this — but this one remains special because it was one of the first times I truly understood what it means to document sport beyond just the action.
A wide aperture prime lens can a long way in helping you capture good images in low light situations. A 35mm or 50 mm 1.8 Prime lens can be a good staring point. They are not only effective in low lights but also quite economical.
Interested in more such tips - Explore more - see my coverage of the [Narela Dangal]
If you're looking for a sports photographer in Delhi or across India who understands not just the game but the culture behind it, feel free to explore my portfolio and connect with me.
Jithin Thomas is a Delhi-based sports and wildlife photographer with over five years of field experience. He has been an accredited photographer for the World Para Athletics Championship (2025) and the W35 Women’s International Tennis Tournament (2025). As the official photographer for the Harish Sharma 3x3 Basketball Tournament, he specializes in capturing decisive sporting moments under real-time pressure, delivering editorial-quality imagery with same-day turnaround capability